Showing posts with label Helen DeRamus. Show all posts
Showing posts with label Helen DeRamus. Show all posts

Friday, November 3, 2017

ART OF THE PROTEST: ARTIST VOICES Part I

By Flora Rosefsky

WCAGA ART+ACTIVISM’s  three day pop up show  held at Sycamore Place Gallery & Studios in Decatur over Labor Day Weekend-2017, brought together artists, unafraid to put into art, what they were saying to each other, to family, friends, colleagues at work, and perhaps in letters to elected officials in government.  After the show came down, I asked artists to send me their thoughts about their work. 
Sandrine Arons: “Enough is Enough”  (the entire work, its reference painting, and longer version of Aron's statement will be posted in a future blog, Part III of this series.)

I chose the quotes that are printed on my piece to express how devastating and dangerous the laws against women can be. For decades, these laws have existed but have been generally considered absurd and not acted upon.  However, with our current conservative and evangelical leaders, the possibility of recreating the same reality my mother lived is ever-increasing. And this is what prompted “Enough is Enough”. As a woman, I feel that my existence and my right to live freely is being threatened every day. I believe for months I have been in a fog of disbelief (though not denial) that many of the rights I was born into are being reconsidered and up for debate. Instead of moving forward, this administration is hoping to move the clock backwards. The backdrop for my photograph is Tintoretto’s 1555 masterpiece “Susanna end the elders”.  The story of Susanna is copied … but exemplifies so much of the hateful, demeaning rhetoric and physical violence that women experience still today.  I see Trump and Pence now as symbols of the frustration those men in my life alluded to; their dissatisfaction and fear of women demanding rights to their own bodies, to equal pay, to full equality.  I’m not sure this is the result they wanted, but I believe the current administration echoes their fears. 
"Enough is Enough" (detail)  by Sandrine Arons  



Pat Borow: “The Trump Fan”
The concept for my piece, “The Trump Fan,” came to me in an, er, flash. The idea is that of immolation by flame. The shape is that of a funeral fan, an object that has a strong history in this region, particularly during the days before churches were air-conditioned. For months now, we’ve watched Donald Trump go down in flames. I have thought more than once that it is either going to be his funeral or ours. Hence the funeral fan.
"Trump Fan" by Pat Borow

Vickie Martin-Conison: “Complicity”
It is done on traditional poster board. I began with collaging the entire US Constitution on the board, then applied thin paint over it. I spelled out the word "STOP" with gunpowder and burned it. The quote is done with pages from the dictionary that were dyed- as I believe in the importance of the First Amendment and therefore words. I continued with burning the edges - to show the fight we must fight and the battle we need to wage. The quote is by Einstein - his signature is collaged into the piece.
"Comlicity" by Vickie Martin-Conison

Helen DeRamus: “No Refuge”
This image was created over a period of time as I have been thinking about the generation of children who suffer the ravages of war all over the world. And now those young people who are no longer welcome even here in the US. How can that be? The image also contains the little image of one of my father's paintings on the lower left side. As a mentor and one who strongly supported peace and conservation he remains an inspiration and guide for me in my life
"No Refuge" by Helen DeRamus

Jodi Doughty:   “Social Justice-Human Rights”
It was a pleasure being a part of this important show that allowed artists to express and reflect the current chaos that people in our society find themselves in. My name is Jodi Doughty; I’m an artist because art provides you with a voice, an individual expression of hopes, dreams and fears. Art is your interpretation of the world and how you see yourself in it. Social Justice-Human Rights is an urban mural / marvel inspired piece that reminds us to be vigilant in our efforts to impact change in the world. We must be our own heroic figure while standing strong in our convictions and helping others find their strength.
"Social Justice - Human Rights" by Jodi Doughty

Marti Forkner-Vernon : “Women to Rule”
Wanting a world ruled by only women is not realistic, and that is my desire, that each woman will be free of society's guidelines and stand as individual and strong without inhibition. That the patriarchy will end. But it would take a complete metamorphic mindset change, and that won't happen. A genderless world would be perfect where no one asked, "what sex?" Just people
"Women to Rule" by Marti Forkner-Vernon


Lucy Julia Hale: “In Honor of Margaret Sanger”

On the table in the exhibition gallery I found a page with dialogue from the Handmaid'sTale : "...there is hope... like blood in a wound ". I feel that in crises artists are often called to ensure that wounds stay open and bleeding long enough for cleansing of contaminants and examination to determine and expose the true sources of injury. I am so grateful for this opportunity to join our women artists in this calling. My piece, which includes images of Faith Ringgold and Floria Steinem is also a way to honor them and all the artists in our exhibit.
"In Honor of Margaret Sanger" by Lucy Julia Hale
NOTE: There will be a Part II and Part III

Thursday, December 31, 2015

Interview with Helen DeRamus

The Wild Wild West by Helen De Ramus


1. Who are you and what do you do, and what is your background?

Atlanta is my hometown. I graduated from Emory at Oxford in the extended program and then from Emory University in history and art history. My art history concentration in Asian art set the tone for my career in art. I taught in Savannah after graduating then moved to Englewood, New Jersey, where I taught and began studio courses. Returning to Atlanta in 1979, my interest in photography (my dad’s influence) took me to the SE Center for the Photographic Arts studying with Buck Miller, Larry White and Neil Chaput de Saintonge. I created a commercial photography business which I ran for the next ten years. When I began critique sessions with Joseph Perrin, he encouraged me to combine paint and photographs, so here I am. I continue to combine photography and paint.

2. What's integral to your art and or art career?

Experimentation is integral to my art and I think of style as eclectic.


The Storm Warning by Helen DeRamus








3. What themes do you pursue and what medium do you use?

I am on a journey and the idea of “moving focus” in Chinese art informs my work with the landscape. For me to be successful means combining three important elements: hand, eye and heart. The odd shapes in nature always call to me, realizing that in nature, there is always the infinite. I use a variety of mediums including encaustic, oil and wax, lith crayon and India ink working on wooden panels, canvas, and paper.

4. What makes you angry, what makes you happy?

Intolerance makes me angry and working in the studio makes me happy...many things make me happy..too many to list.
A Thin Red Line by Helen DeRamus

5. Who and what inspire you in your work and or in your life in general?

The natural world inspires me. I experience intense pleasure through my eyes and sense of touch. There is something new to see everyday.



6. What superpower would you want?

X-ray vision, no doubt.

7. What is your favorite artists and or other person?

I admire and get inspiration from so many artists many of whom I know well. But I can point to Giacometti who inspires me to value process, Annie Dilliard for her capacity to see the whole landscape and appreciate the tiniest creatures. Robert MacFarlane describes the landscape in a way that helps me appreciate the history and “feel” of the landscape and Julie Mehretu whose large complex works inspire me to imagine the possibilities of a new way to see.

8. What advice would you give to other artists?

Value your work. Make connections with artists you trust to keep you honest. Work as much as you can because your inspiration comes from working. Be open to learning from other artists you admire.

9. Contact details 
And Then Into The Sky by Helen DeRamus

http://www.helenderamus.com 
http://deramusstudio.com